I find this perfectly attuned to my experience of writing memoir.
In all the questioning about what makes a writer, and especially perhaps the personal essayist, I have seen little reference to this fact; namely, that the brain has become a kind of unseen artist’s loft. There are pictures that hang askew, pictures with outlines barely chalked in, pictures torn, pictures the artist has striven unsuccessfully to erase, pictures that only emerge and glow in a certain light. They have all been teleported, stolen, as it were, out of time. They represent no longer the sequential flow of ordinary memory. They can be pulled about on easels, examined within the mind itself. The act is not one of total recall like that of the professional mnemonist. Rather it is the use of things extracted from their context in such a way that they have become the unique possession of a single life. The writer sees back to these transports alone, bare, perhaps few in number, but endowed with a symbolic life. He cannot obliterate them. He can only drag them about, magnify or reduce them as his artistic sense dictates, or juxtapose them in order to enhance a pattern. One thing he cannot do. He cannot destroy what will not be destroyed; he cannot determine in advance what will enter his mind.